Category: Writing

  • Why I Gave Up on NaNoWriMo

    Why I Gave Up on NaNoWriMo

    This year, I set out to do NaNoWriMo (National Novel Writing Month). I’m not a stranger to it. A few years ago, I even succeeded in writing a 50 thousand word novel in a month. It was utter crap, as NaNoWriMo projects often are.
    And this year, I stopped after about 7 thousand words.
    I think it was the right decision.
    There are a number of reasons I do participate in NaNoWriMo:

    • Establish A Routine. To achieve success, I need to write an average of 1667 words a day. One of the best ways to do that is to develop a habit for daily writing. Personally, I can draft about a thousand words an hour if I’m “in the zone,” so two hours a day is plenty for NaNoWriMo. Two hours a day is a lot, but it’s not out of the question if I prioritize it.
    • Efficiency. 1667 words a day. That’s a lot. I need to draft without fear. The goal is solely to write the words. They don’t need to be good words, they just need to be words on paper, so to speak. I can fix them later. I like how C.J. Cherryh put it. “It is perfectly okay to write garbage — as long as you edit brilliantly.”
    • Accomplishment. Producing a complete draft of a novel is quite an accomplishment. It’s something one can be proud of. Producing even a chapter of a novel is an accomplishment. NaNoWriMo certainly gives me that feeling of accomplishment.
    • Focus. I can’t write 1667 words a day if I spend my time on Facebook, Twitter, or dealing with life’s random interruptions. Writing at speed requires that I shut the door on those distractions and focus on the page in front of me. That’s a good habit, and it’s how I complete things.

    So, why the hell did I quit?

    NaNoWriMo kept me from writing.
    I don’t need NaNoWriMo to motivate my regular writing habit. Or my focus. Or even my efficiency. I write every day. I’ve succeeded in writing every day for well over a year, with very few exceptions.
    It’s an addiction. I need it to get through my week. Storytelling is my creative outlet, and I’m one of those crazy people that absolutely needs to create. I get depressed if I’m not able to do so.
    I don’t need NaNoWriMo’s help to get me writing. I’m already doing it.
    And I don’t need NaNoWriMo to give me a sense of accomplishment. I’ve written a 90k word urban fantasy that in the final stages of critique and revisions. I’m almost ready to send it out to agents and publishers.
    I certainly feel accomplished. I wrote a book. That’s a big deal. I can confidently call myself a writer. And I hope to call myself a “published writer” at some point in the not too distant future (although publishing can move at glacial speeds.)
    NaNoWriMo was getting in the way of that accomplishment. It was distracting me from the vital work of finishing up the critique work, of polishing, of preparing my book for submission. The work of writing was keeping me from the work of writing.
    Heck, even writing this article is taking away valuable time from polishing my book. Best get back to it.

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  • A Critique of Critique Groups

    A Critique of Critique Groups

    I’ve been attending writing critique groups for a few years now, most notably the North Seattle SciFi and Fantasy Writers group, and another less formal group at the Couth Buzzard bookstore.  While this by no means makes me an expert in critiquing, my observations may be valuable to at least some people.

    A number of good articles are floating around out there on getting critiques (Get a Good Critique: 8 Tips for Prepared, Receptive Writers) and giving critiques (Give a Good Critique: 10 Tips for Helpful Writing Feedback.)  I recommend reading them.

    (Warning: this may be a little ranty.)

    Don’t Point Out Every Flaw

    One nice thing I learned is that I don’t need to find every flaw or issue in someones piece.  A critique group ‘croudsources’ feedback.  If I don’t find something, someone else will, and ultimately, the writer will get a wide range of comments.

    Not that I don’t try to be thorough.  I do…to a point.  If I were to point out too many issues, I run the risk of nitpicking, which is certainly rough on the author.

    Of course, if your group is small, especially if you have only one critique partner, it’s important to be thorough.  It’s also important to have a strong relationship that can weather criticism.

    The Deadly Memoir

    I’ll be blunt.  If you’re writing a memoir, don’t take part in critique groups.  Just don’t.  It’s nearly impossible to separate the writing from the author when critiquing a memoir.  The authors often write these pieces as a form of self-therapy.  They lay themselves bare.  Emotional armor is torn down.  Boundaries fade.  And any feedback can cut right through someone’s very identity.

    In one of my earlier critique groups, about 60% of the works were memoirs, or strayed awfully close to memoir.  This had a significant impact on the usefulness of the group over time; feedback on core plot, characterization, and structure faded, even for those pieces that were not memoir.  People simply weren’t willing to give or take feedback for fear that it might be taken personally.

    The group eventually died.

    A critique group is not an emotional support group, and your peers are not your therapists.

    Gears

    Assumptions Grind My Gears

    Okay, maybe “Grind My Gears” is a bit strong, but I do cringe a bit when someone makes assumptions about why I did something.  Those assumptions more often than not are about what I know or don’t know, or what experience I have.  And they’re often wrong.  

    What the hell am I talking about?

    Please…don’t assume someone’s a junior writer and treat them as such.  Typos, misspellings, bad habits, stylistic choices, and creative liberties with convention don’t automatically mean someone is junior.  

    Those things ONLY mean that the given piece may be an early draft, or the author has a different, very valid style.

    Unless they’ve told you their level of experience, you risk awkward encounters if you make those assumptions.  Case in point: I saw someone assume an award-winning, published author was a beginner.  Cringe.

    Being told you’re junior can indicate a lack of respect for your experience.  Ouch.

    Also, don’t assume level of knowledge about a given subject matter.  I recently had someone educate me on the physics of electricity based on some liberties I took.  (I was relying on suspension of disbelief due to magic.)  In reality, I’ve a degree in electrical engineering from Carnegie Mellon.  I know something about the physics of electricity.  (Thank you to said person for being gracious enough to let me use this as an example.)

    Remember, the goal is to critique the piece, not to critique the author.

    If you do want to provide educational material, do it with humility.  Say “This is my understanding of how x is” and not “You’re wrong, this is how x is.”

    This said, I’ve found critique groups incredibly valuable.  The current one I attend, NSSFFW has been fantastic.  I’ve had my bad habits laid out before me, and I’ve honed my strengths.

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  • Syrtis Minor…Now over 50k words. I’m a NanoWrimo Winner

    Just passed 50k words in my NanoWrimo Novel  Syrtis Minor.

    It’s a murder mystery/adventure set on Mars in 2050.  Bunch of scientists, engineers, and the like.  Of course they’re gonna kill each other off.

    I’m a NanoWrimo Winnder!

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  • NaNoWriMo Retrospective, and my dystopian cyberpunk project.

    NaNoWriMo Retrospective, and my dystopian cyberpunk project.

    Been somewhat quiet this last month as I’ve been heads down in NaNoWriMo, the National Novel Writing Month.  Why write blog posts, given a deadline of 50k words in a month on a single new story.

    Well, I didn’t quite make it.  37,924 words.  Still, that 37,924 f*ing words.  Wow.  Towards the end, I was up to about 1100 words an hour or more.

    I blame New Orleans.  I wasn’t 100% while there, as, well, it’s a bit distracting.  I also had a few short days, where I only wrote 1k words instead of the 1,667 I’d need to hit my goal.  Still, I’m amazed I was able to dump all of that out.

    I’m liking my story though, and I’m gonna finish it.  The premise?
    What happens when the 1% become obsolete.  When corporations no longer need fancy stock traders and executive decision makers.

    This ain’t so unrealistic.  Watson, the IBM supercomputer that recently did quite well on Jeopardy, and is currently ‘going to business school’.  How long before every corporation is buying ‘Watsons’.  What happens when these computers are able to make better, quicker decisions than those business executives, wall street traders, and even lawyers and doctors.  Welcome to the other side of the tracks, former rich folk.

    Anyway, as these machines are programmed for profit, they’re sociopathic.  These machines have decided that energy and automated manufacture of other machines are the keys to profit, and the human economy is no longer worthy of investment.  Tough luck for us humans, as we end up living off the the deteriorating world of the past.

    Unrealistic?  Maybe not.

    All of this happened without people really noticing.  Everyone assumes we slid into a bad depression.  The machines simply let us think that.

    Until Stax, the protagonist, stumbles across some data proving  that humans no long hold the reins of the economy.  And, the ‘system,’ doesn’t want her to leak it out.  It’s kinda tough to get by when the global economic system has decided you’re a danger.

    Anyway, I’ve probably another 10k lines before I wrap up the storyline, then I’ll go back and revise it, fleshing out some dialog and description (I was a bit terse in those areas).  With some additional plot elements, I should be able to pump it up to about 100k.

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  • NaNoWriMo – Dystopian Cyberpunk at 1667 Words a Day

    NaNoWriMo – Dystopian Cyberpunk at 1667 Words a Day

    Participant_180_180_whiteWell, NaNoWriMo is only a week away, and it’s time to start preparations.

    I stumbled a bit on my current project as I didn’t properly do my homework before starting.  The big thing, well, I didn’t sufficiently flesh out some of the characters.  I did an outline and wrote most of the novel with a rather cardboard love interest, and that’s currently killin’ me.

    Fleshing him out is resulting in significant changes to the story.  Significant.  Which means a lot of rewriting.  It’s been painful.

    As far as worldbuilding, well, I took some shortcuts.  I set the story in current-day Seattle, and threw in some of the standard paranormal stuff, such as vampires, witches and demons.  I’m using Mesopotamian mythology as a basis, which does make things interesting, and I think the world is sufficient for a basic urban fantasy.
    I also did some basic outlining, but I really should’a known my characters before doing that. I know some folk can do most of this stuff by the seat of their pants, but I think that comes from experience and strangely enough, I tend to like a bit more structure when approaching projects.

    So, this time around, I’m going to take more care in character development before diving into the story.  I’ll need to iterate between outline and character just to make sure they all fit, but I’d like to have that done before November first.

    I’ll need to do a bit more work on worldbuilding, as well.  I’m doing a dystopian cyberpunk novel, and while it could be argued that we currently live in a rather technological dystopian society, I’d like to take things a step or two further.

    I think in this case, the world itself will drive the story, hence the characters, so I’ll start with that.

    Stay tuned.

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  • NaNoWriMo – National Novel Writing Month

    NaNoWriMo – National Novel Writing Month

    NaNoWriMo is right around the corner, ready to jump me and beat me into a pulp.  This’ll be my first time, and I’m gonna do my best.  It’ll be tough, as I’ll be vacationing in New Orleans for the first week.  I’m hoping that I can get an hour or two in per day when I’m there, perhaps when others are sleeping.
    If not, well, I’ll have to catch up.

    For those not in the know, NaNoWriMo is all about writing 50k words in the month of November.  That comes out to be just under 1700 words per day, which is not out of the question.  I can dump that out in a few hours if I don’t let perfection get in the way.  I just have to write every day.

    I’ll do some of the prep work beforehand.  For this, I’ll probably need to outline first, or at least write a synopsis.  That’ll give me a framework to work in.

    So here’s the big question.  What’ll I write?

    I’ve a few options I’ve been kicking around in my head.  The most obvious would be the next in the series that I’m working on now.  I’m not so sure about this, as there’s no way I’ll finish revising my WIP by November.  I think a break will do me good, as well.

    Another would be a cyberpunk novel.  Cyberpunk kicks ass.  It has cyber, and who doesn’t like all that techie cyber computer stuff.  And it has punk.  Where could you go wrong with that.  The only problem with cyberpunk is, well, the ‘speculative’ part comes true before the darn books are published, so they become contemporary fiction or at least thrillers before you know it.

    I certainly have qualifications with respect to cyberpunk.  I work in a virtual reality company for goodness sake.  I’ve built robots, done the computer security thing, all of that.  And, well, I hang out in creepy goth industrial clubs.

    And yet another would be dystopian.  I could do the whole zombie apocalypse thing as I wrote about here, or I could take that, remove the zombies and replace them with some oppressive theocracy.

    And yet another…I could do my whole Martian thing.  Good old fashioned sci-fi Martian colonization and politics.  You see, I’ve this Mars fetish.

    Now, the obvious thing would be to mix all of this up into one project.  Thing is, you do too many things, you can’t necessarily do any one of them well.  Not that I’ll do any of this well, but I’d like a fighting chance.

    So, what to write what to write what to write.

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  • Review: Black Blade Blues by J.A. Pitts.

    Review: Black Blade Blues by J.A. Pitts.

    Black Blade Blues (Sarah Beauhall #1)Black Blade Blues by J.A. Pitts

    My rating: 4 of 5 stars

    I picked up this book after I sat in on a norwescon session on gender in speculative fiction. J.A. Pitts was the sole male representative on that panel, and after hearing the discussion on the challenges of stepping outside ones gender in writing characters, I decided to give his book a try.

    I probably set the bar pretty high as far as the content of this book goes. I’m a Seattle native, and I am part of various alternative communities. I’ve also tended to read urban fantasy written by women, as that’s what’s out there, and I like female protagonists.

    And I like Sarah, the protagonist of Black Blade Blues. The first half of the book was heavy on character development. Sarah’s internal emotional conflicts with her sexuality, her relationships and the crazy events happening around her were quite real to me. As I’m all about empathy with the characters in the fiction I read, this was quite a big positive for me. I will say that J.A. Pitts did well in crafting a protagonist who’s a woman, who’s lesbian, and who’s a blacksmith.

    The action doesn’t really take off until the last third of the book, but the major action sequence was dramatic, exposing the protagonists to both loss and success. Still, if you like to focus on the action aspects of urban fantasy, you may have a bit of a time getting through the first half or so.

    I also rather liked the Norse mythology take on urban fantasy. Not your typical vampire and werewolf fare, even though I love that stuff too. The mythology was sufficiently familiar to me that I had a context in which to experience the story. It might be a bit more challenging for those who aren’t familiar with some Norse mythology.

    This book was an obvious setup for a series, the end leaving enough open that I look forward to reading Honeyed Words.

    View all my reviews

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  • Why do I like urban fantasy?

    I read a lot of urban fantasy.  Almost exclusively.  I read it on the bus.  I read it at lunch.  I read it in the bathtub.

    And I’m now writing it…  How about that.

    Let’s be honest.  Most urban fantasy isn’t thought-provoking or world-changing.  Many wouldn’t even consider it literature.  Plots aren’t complex.  The prose is often simple and easy to read.  They have similar plots and similar characters.  It’s often somewhat commercial, targeted at readers like me.

    So the question is…why does it appeal to me so much?

    I spend most of my days thinking, and thinking hard, programming computers and such.  I don’t want to exercise my left brain in my off time.  My left brain is tired.  And my right brain is bored.

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  • Coffee shop Writing

    Coffee shop Writing

    I don’t know what it is about writing in coffee shops.  I’ve seen many writers recommend finding a quiet corner at home, away from distractions.  Turn off the internet, grab a spot of tea, shut out the world. I don’t know about you, but I need more stimulation to get the mental juices flowing.  I need music.  I’ve put together a soundtrack that works for the mood of my current project.  Music I’m familiar with.  I suspect new music might really distract me, but no music at all simply wouldn’t put me in the emotional space I need to write. Caffein helps.  I need my mocha, iced or hot.  It’s comforting yet energizing. And strangely enough, I like having people around me when I write.  I don’t want the distraction of socializing with friends or acquaintances, but having people around helps me write about people.  I’ve always enjoyed people-watching, you learn so much. The challenge, balance the distraction of people-watching with the hard work of writing.   And don’t be afraid to go back to the barista for a refill.

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